With a busy year ahead – working on 2 new novels and a possible poetry collection and/or chapbook, plus the promotion of my new Wordcatcher titles as well as those of Original Plus authors, plus the editing of The Journal – I am not going to be blogging as regularly as I did in 2018. Nevertheless, here goes....
Beginnings – Bricolage (January 1st 2019) /
So much of art can start as a happy accident. Although for that accident of itself to be considered art could be a tad premature.
It is usually not enough to rely solely on assemblage, to gather together sounds for instance and to call that gathering music. Or to collect colours and textures together and call that assemblage visual art. Or to put words together on the same page and call that page poetry. No, these gatherings are but the beginnings.
Now, the gathering complete, is when the internal editor/critic/compiler takes over. If a composer one tries laying one sound partially over another, asks if that could make a viable chord. Does it respond to that click sound? Should it be repeated? Could the pairing become the motif for a larger piece? (See Neil Carter CDs.)
While for the colour splashes now is the time to consider the dynamism of any juxtaposition. Or what you may want the piece to become. Or, and more likely, what the piece may want to become. Are those large then small splodges creating an unwanted perspective? Do those four colours so close together look possibly representational? Could that hint of an image be put to use? Or will it then look too much like so-and-so's work? Or could this smudged photo become art if...?
A red pen is required for the word-gatherers. With no preconceived narrative in mind it could be that there is a sense of something lurking in this wordy gathering, a possible otherness asking to be conveyed. A couple of words might be preventing that. Remove them. Change the order of some others? Make it present tense? Past? Now it is starting to become art... That is if Art should end/not end where wonderment/imagination begins.
© Sam Smith January 1st 2019